Understanding Jaipong
Jaipongan is a genre of dance that was born from the
creativity of an artist from Bandung, Gugum Gumbira. Attention
to folk art, one of which is Tap Tilu making treasury know and know well the
patterns of dance traditions that exist in Kliningan / Bajidoran or Ketukk
Tilu. Opening
movements of some art above have enough inspiration to develop a dance or art
that is now known as Jaipongan. As
social dances, dance Jaipong successfully developed by Sundanese artist to dance
very popular in the community and loved by the people of West Java (in
particular). Even
known until outside West Java. Call
Jaipongan actually not only a reminder of the kind of traditional Sundanese
dance with dynamic motion. Hands,
shoulders, and hips are always a dominant part in the agile movement patterns,
accompanied by the beating of drums.
Historical development Jaipong
Historical development Jaipong
Prior to this emerging form of performance art, there is
some influence of the background for this form of social dance. In
West Java, for example, social dance is the influence of the Ball Room, which
is usually in a dance-dance association could not be separated from the
existence ronggeng and pamogoran. Ronggeng
in social dance is no longer working for the ceremony, but for entertainment or
slang way. As
the folk performing arts, art is only supported by simple elements as well as
dance movements that do not have a standard pattern of motion, simple costumes
dancer as a reflection of democracy.
Characteristics - Characteristics Jaipong
Jaipongan is characteristic cheerfulness, erotic,
humorous, excitement, spontaneity, and simplicity (naturally, whatever they
are). This
was reflected in the pattern of presentation of dance on the show, there is a
given pattern (Ibing pattern) as in art Jaipongan in Bandung, also there are
also dances that are not patterned as the art Jaipongan Subang and Karawang. Development Jaipong Jaipongan works first began to be known by the public is dance "Daun
Pulus Keser Bojong" and "Rendeng Bojong" both of which are types
of dance girls and dance in pairs (male and female). Jaipongan
presence contributed greatly to the instigators of the art of dance to more
actively explore the types of folk dances that were previously less attention. With
the advent of dance Jaipongan, used by activists to organize dance courses
Jaipongan dance, dance Jaipongan Further development occurred in the
1980-1990's, where Gugum Gumbira create a dance such as Toka-toka, Setra Sari,
Sonteng,
Pencug, Heron dazed, motorcade procession Leaf Croton, Rawayan and dance Kawung Anten. Of these dances appear some reliable Jaipongan dancers among others Iceu Effendi, Yumiati Mandiri, Miming Mintarsih, Nani, Erna, Mira Tejaningrum, Ine Dinar, Ega, Nuni, Cepy, Agah, Aa Suryabrata and Asep. Today the dance Jaipongan quotable as one identity keseniaan West Java, this is evident in several important events pertaining to the guests from foreign countries who came to West Java, it was greeted with a dance performance Jaipongan. Similarly missions kemancanegara art always comes with Jaipongan dance. Dance Jaipongan affect many other art-art that exist in the community of West Java.
Pencug, Heron dazed, motorcade procession Leaf Croton, Rawayan and dance Kawung Anten. Of these dances appear some reliable Jaipongan dancers among others Iceu Effendi, Yumiati Mandiri, Miming Mintarsih, Nani, Erna, Mira Tejaningrum, Ine Dinar, Ega, Nuni, Cepy, Agah, Aa Suryabrata and Asep. Today the dance Jaipongan quotable as one identity keseniaan West Java, this is evident in several important events pertaining to the guests from foreign countries who came to West Java, it was greeted with a dance performance Jaipongan. Similarly missions kemancanegara art always comes with Jaipongan dance. Dance Jaipongan affect many other art-art that exist in the community of West Java.
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